Monday, 16 May 2011

Exquisite, Passionate and deeply moving


Took my girlfriend for our late Valentine's day present and it was incredible. The dancers were all stunning and the pure emotion that you could feel from every moment was breath taking. The costumes and scenery were stunning but were dwarfed by the sheer magnitude of the characters on stage. For the entirety of each act I found myself deeply involved in every single motion. It was breath taking from start to finish.
An utter triumph.
Favourite moment: 32 Pirouettes on the spot by the Black Swan

Slightly Nervous, but bang on form


Bought these tickets for myself and a friend for her birthday.
He seemed a little nervous, purely due to the size of the venue, as he has only just really hit the big time. However, once he settled in he was on excellent form. He had hilarious new material and got it bang on with current affairs, mainly by calling Justin Bieber a naughty word!!
Brilliant and wacky, fun and funny from start to finish.

A True talent


OK, so firstly, let’s start this by putting aside the fact that this was probably the gayest thing I have ever done, going to see Leona Lewis live in concert. Being seated in the O2 arena with mostly: screaming teenage girls, gay men, old couples and men who have been dragged along to the show by their wives/girlfriends was not my proudest moment I must admit. But we must move forward and be mature about this. I like Leona Lewis. A lot.
To the matter in hand. Since winning X-Factor series 3 in 2006 she has shot to fame, topping the Billboard 200 with a debut album, Spirit, making her the first British artist to do so. Spirit is also the fastest selling debut album of all time and was the number 1 selling album of 2007. During the competition Leona turned from a shy and coy girl from North London, into a slightly less shy and coy girl from North London, and this is why the British public fell in love with her. She won X-Factor, partly due to this, and due to her incredible talent and both these features came across strongly during her performance.
Her vocal performance skills were incredible, with not a single note out of tune. The highly varied and personalised versions of her album songs came across as if a recording was being played, due to the incredible control that she has over her strong, powerful voice. Her key songs including Homeless, Better in Time, Bleeding Love, Whatever it takes and The first time I ever saw your face, were executed with precision and filled the O2 arena with beautiful live melody. She also provided a number of covers including, Could it be magic, Cry me a river, Sweet dreams and They don’t care about us. Cry me a river deserves a special mention, as, being performed as part of an acoustic campfire moment, the sincerity and control was stunning, and provided a very special moment in the show. The closing number before the encore, Run, also provided a fantastic display of musical prowess and the emotion behind the melody was strongly felt.
Now the girl cannot dance to save her life. And this limitation did let the show down slightly. It is hard to judge this fairly after recently seeing Lady Gaga’s Monster Ball tour, where Lady Gaga doesn’t STOP dancing, but it was noticeable that the most advanced dance moves that Leona undertook were: walking with a bit of swagger, marching and making hand movements on the spot. And even these movements were slightly wet and poorly controlled, but I guess some people just don’t have rhythm. There were plenty of dancers framing her either side of most numbers to take the strain off, so, for an artist whose songs are mainly ballads, standing at the microphone stand delivering pitch perfect renditions seems appropriate.
The theme, I have now retrospectively discovered, is Labyrinth, as the tour is named. Going into the arena however I was not wise to this fact and because of this found the whole spectacle rather confusing. The scenery and dancers changed somewhat erratically from a weird underwater theme to dancing fencers, to dancers bouncing on Swiss gym balls. Even now knowing the theme the story of the show did not seem to flow correctly, and I think this is something that could be worked on. Even under the Labyrinth theme, the randomness and complexity associated was almost too random in this particular show. However again I must add that this faded into insignificance whenever Leona opened her mouth to sing.
Despite the small flaws in theme and dancing ability, I must put myself into the mind of a 12 year old girl in order to fully appreciate the show put on (some would argue that that is not hard for me at all, har..har..). Leona is an excellent role model and the show had that High School Musical kind of feeling to it that accompanies the story of a woman who has come from nothing to playing the O2. Parents are happy to let their children idealise this particular artist as she is much more stable, clean and likeable that many other artists, and that purity shines through in her humble demeanour on stage. For someone my age, I went for the music, and for singing ability this country has found an incredible artist to rival the best, and I thoroughly enjoyed it.

Mind Blowing, Jaw Dropping, Just... Gaga


Lady Gaga, where exactly to begin? Since skyrocketing to fame after her first single Just Dance, the hits have just kept coming. She was named in the Time 100 World’s Most Influential People, topping the artist category, and her debut album The Fame reached number 1 in the UK, Canada, Austria, Germany and Ireland, reaching 2 on the Billboard 200 chart in The US. What enhances this amazing achievement is that almost all of Lady Gaga’s songs are written or co-written by the artist herself and the album was rewarded with six Grammy Award nominations with many wins, from many ceremonies, to its name. In March 2009 Lady Gaga began her Monster Ball Tour which is expected to run well into 2011, with Lady Gaga adding new dates all the time.
So to the O2 arena we went after suffering our gruelling exam period (well us third years did anyway) to witness the new Queen of Pop in action and I must admit, my personal expectations were huge. After seeing many of her performances on shows such as X-Factor and performing at the Brit Awards it is obvious that an artist with such eccentricity and commitment to performance is rare. What did the Gaga have in store for us on this occasion, playing, arguably, one of the best arenas in Europe. Arriving at the O2 was surreal, as in amongst those dressed normally, flamboyant tributes to Gaga were scattered within, with everything from coke can hairdos to full red leather cat suits on display from adoring fans.
Waiting for Gaga to come on you could feel the atmosphere filling the arena like an intoxicating fog, with chants of “Gaga, Gaga, Gaga” breaking out every time one of the lights was being tested. The eruption of noise from the sold out seats when the silhouette of the shadow of Gaga was seen on the front curtain was incredible, and the crowd - in a frenzy. The first half of the opening song was performed with Gaga just standing pulling different poses, her outline changing every few bars, and we were all captivated, waiting for the moment when she would emerge from her platform and finally let us see her. We were desperate and with every beat of the song that passed we wanted more. The master of tension building was operating, and giving the master class.
With every starting note of every hit that Gaga has including Telephone, Alejandro, Speechless, Dance in the Dark, Teeth, Lovegame, Paparazzi and Poker Face among others from the The Fame Monster album, the audience erupted screaming and dancing in support of The Gaga, enjoying the beat and reliving the times in the clubs that these songs had been playing. The songs themselves are a mastery of pop, combining heavy base beats with a funky synthesised rhythm on top, with the incredible vocals of Gaga blasting out “to the beat of the track” (Dance in the Dark). Each one inspires the 20,000 people in the audience to jump to their feet and cut a shape in their own personal dance floor in from of their seat. I can only imagine what it would have been like to have been standing next to the stage, and believe me if I can get tickets to be there I will.
Two aspects of the show stood out for me: skill and theatricality. First, skill. Lady Gaga undoubtedly has one of the best live voices that I have ever heard, and for someone of her build it is hard to see where exactly the power is coming from. But the resonance of Lady Gaga’s voice rings heavily around the arena, and every one of her songs is delivered with a passion and an ability rarely rivalled by other pop artists. I draw particular attention to Gaga’s rendition of Speechless, which was delivered seated at the piano, with an enthusiasm and emotional fury that actually moved me quite powerfully. With regards to theatricality, I can honestly say that I hope that I manage to find someone who is a better performer than Lady Gaga, because that would be some show to beat this. The story of journeying to the Monster Ball was almost endearing, and you could feel your inner freak becoming wrapped up in the story of a ball where everyone could be entirely who they wanted to be. The performance of Teeth is noteworthy as Lady Gaga held the attention of the audience throughout the whole performance, which extended to Lady Gaga dancing around her dancers and singing “show me your teeth” for a good 5 minutes. And we loved it.
The breaks between songs, allowing for costume changes, were obviously subject to just as much attention from Lady Gaga as the rest of the show, with beautifully creative and wonderfully weird videos featuring the Queen herself. These videos were so entrancing, that we became lost in Gaga’s wonderfully brilliant mind, and engulfed by her messages, about not allowing fame and money to permeate our lives and our personalities. The message to be true to yourself was poignantly clear throughout the whole show. One of Lady Gaga’s opening statements “Tonight the freaks are outside, and I locked the fucking doors” suggested that we were the special ones, and we had chosen ourselves for our own ‘libĂ©ration’ of our true selves by being there with her and taking her journey. Lady Gaga is Queen of the freaks, and triumphs them wherever they, and she, may go. Her dedication to her fans and her love for them was so evident that it was touching, and you almost felt a personal connection with her, although you are part of a 20,000 strong blob of faces.
There is so much more to say about every aspect of this show, the costumes, the lighting, the dancers, but there is no need to. I will however mention the spectacular moment where the Fame ‘Monster’ (a half fish, half flying swamp monster type thing) appeared on stage during Paparazzi, as Lady Gaga urged us to kill it with camera flashes. Brilliant. But only those there would truly know what it was like to be there and witness Lady Gaga doing what she does best and doing what she loves the most, exclaiming “I don’t want to die on a beach under a f*cking palm tree; I’d rather die right here, on stage, performing for you”. Her dedication to her fans, both to perform for them and to support them with their needs by affording them a platform to shine for what they are, whatever that may be, is unrivalled. Passionate, grateful, loving and talented, and standing full on in the face of any force looking to oppress or hate anything. Lady Gaga has inspired an almost religious following, and I can honestly see why. I myself am not quite that emphatic, but I loved every minute of her performance and was absolutely shattered by the end of it through giving everything to supporting an artist I personally love.